My typographic system builds on the ligatures found in antiquity engravings, and offers unlimited variation in application from signage to print materials. The color palette consists of Bardini blue, a darker complementary navy, and black.
︎ Early visual research on ligatures
The typeface is derived from
IvyJournal, designed by Jan Maack from Ivy Foundry. The various applications are fairly minimal, playing with depth and negative space to accentuate the elegance of the letter forms themselves.
︎ Early typographic iteration